優(yōu)秀的讀后感，可以讓我們在書中找到自己的人生智慧，從中汲取力量和勇氣，在寫讀后感時，我們應(yīng)該勇于表達(dá)自己的獨(dú)特觀點(diǎn)，以吸引讀者的關(guān)注和討論，以下是范文社小編精心為您推薦的《茶花女》的讀后感8篇，供大家參考。
《茶花女》的讀后感篇1
夜幕已經(jīng)降臨，昏暗的大街上傳來馬車急弛的聲音，車上下來的是一位高貴美麗的女子，身上總帶著一束山茶花，在腐爛的上層社會中“放蕩”。這便是茶花女瑪格麗特，一個沉淪在花柳紅塵間的交際花的出場。
?茶花女》是法國著名作家小仲馬的代表作，他采用倒敘、補(bǔ)敘、插敘等方法，藝術(shù)加工了一個真實(shí)的故事，結(jié)果一炮而紅，在不同國家、不同領(lǐng)域都引起了巨大的反響。故事講是青年阿爾芒與巴黎上流社會一位交際花曲折凄婉的愛情故事。瑪格麗特是當(dāng)時巴黎紅極一時的名妓，在一切光環(huán)的包圍下過著放蕩奢華的腐爛生活，深受男人的愛戴。但在這金色帷幕的背后是她痛苦的生活，空有美麗的軀殼卻沒有靈魂，表面的燈紅酒綠實(shí)際是行尸走肉，在放蕩、酗酒和失眠中逃避現(xiàn)實(shí)。
直到她遇到了一個真心待他的男子阿爾芒，她才真的屬于自己，開始追求自己真正想要的東西?，敻覃愄貫榱诉@個男子，甘于犧牲自己一貫擁有的奢華，而阿爾芒出于虛榮妒忌和猜疑，總是誤解她的一片真心，最后在現(xiàn)實(shí)社會的打壓下，這段不合乎倫理的純真愛情只能隨茶花女一同永埋大地。
瑪格麗特總帶著一束茶花，從沒見過有別的鮮花與她相伴。這些花，每月頭二十五天是白色的，隨后五天是紅色的，而花色的這種變換，始終無人了解其中的奧妙，我也讀不懂。只知道，山茶花的花語，是可愛謙讓、理想的愛、了不起的魅力，這也與瑪格麗特的氣質(zhì)完全相符。她是一朵從陰冷、黑暗、潮濕、沒有陽光的墻角里鉆出來的一朵茶花，糜爛是它的養(yǎng)料，陰暗是它的點(diǎn)綴。而這樣生長的一朵茶花卻比任何茶花都要開得驚艷，美得脫俗，美得讓人如癡如醉。但這樣的出身也就決定了她的一生，注定無力追逐向往的太陽，一旦伸手觸碰，即使溫暖滋潤，但終歸會被無情地風(fēng)折斷，重新墜落在這片灰暗的土地，直至香消玉損。
在誤入紅塵的時刻，她再也不屬于她自己，不再是有些有肉的人，而成了物品，成了那些所謂上流社會男人自尊心以及虛榮心的犧牲品。她的出現(xiàn)總帶著光芒，讓女人為之驚嘆，男人為之癡迷，為之傾盡所有，但她沒有自我，在尋歡作樂中放縱麻醉自己。直到遇到真愛，他才找回了自己，為此放棄了自己習(xí)以為常的大量物質(zhì)享受，放棄了一切能使自己暫時快樂的糜爛生活習(xí)慣，只為求能和最愛的人呆在一起。茶花女的用心良苦和純真善良很讓我感到，一個慣以奢華物質(zhì)支撐自己生活的女子，竟然可以為愛放棄自己出賣了大半輩子肉體換來的財富，一個經(jīng)常肆意“剝奪”男人錢財?shù)募伺?，竟會吝于花費(fèi)自己心愛男子的金錢。這是多么純真無私的愛，多么善良真誠的心。而這樣一個勇敢無私女性的追求，卻換來種種傷害。出于妒忌和虛榮，阿爾芒一次又一次的責(zé)備誤解茶花女。
相比于茶花女在這段愛情里積極的犧牲和付出，阿爾芒卻顯得自私和懦弱，他沖動易怒，無視倫理的同時又害怕得到圣靈的責(zé)備。他不能理解人家姑娘的用心良苦，用偏激的行為不斷地報復(fù)茶花女，在她最需要安慰的時候羞辱她，使她最后在現(xiàn)實(shí)和病痛的折磨下遺憾離世，而他的自私最終也得到了懲罰，讓他的遺生都在遺憾和懺悔中度過。
瑪格麗特死了，在孤獨(dú)與凄涼中死去，再也沒了活著時的奢華，以前無數(shù)的情人忘了她，以前經(jīng)常圍著她轉(zhuǎn)的姐妹也拋棄了她。生前的生活愈是轟動，死的時候就愈是冷清。而在我看來，瑪格麗特并不是個完全的悲劇人物，至少，她得到了真愛，她勇敢的為自己活了一回她的靈魂得到了凈化。那些貴婦人們只看到了她生活的奢侈和物質(zhì)的享受，卻不知道她高尚的情操也是自己所望塵莫及的。自私的上流社會的人們，明明鄙視放蕩的妓女，卻又要逼良為娼，迫切的需要她們來滿足自己的虛榮心。如果瑪格麗特沒有生在這樣一個骯臟、虛偽、殘忍的時代，如果她沒有誤入紅塵，那她一定是陽光下開得最燦爛的一朵山茶花。
生如夏花，死如秋葉，這句詩也許可以用來概括茶花女這凄美的一生?；钪?，就要燦爛、奔放，要活得有意義、有價值，像夏天盛開的花那樣絢爛旺盛，勇敢去追求自己的價值；面臨死亡，面對生命向著自然返歸，要恬然，像秋葉般悄然地讓生命逝去，不必轟轟烈烈，更不要感到悲哀和畏懼。
《茶花女》的讀后感篇2
?茶花女》講述的是這樣一個故事:瑪格麗特是一個窮人的女兒，為生活所迫，淪為whore。最初，她的生活一直放蕩不羈、糜爛頹廢。可是阿爾芒的愛情改變了她， 讓她為愛情寧愿放棄自己奢華的生活，為愛情她甘于平淡。但她的美好愿望并未成真，最后，為了阿爾芒妹妹的幸福，她放棄了自己美滿幸福的未來，不明真相的阿爾芒對她進(jìn)行了無情的報復(fù)。最后，這位姑娘在貧病交加中死去。
?茶花女》中最為感人的地方是阿爾芒和瑪格麗特之間的愛情，這愛情純凈如水、純潔如雪，雖然發(fā)生在一個whore身上，但它同任何偉大的愛情一樣值得人謳歌、贊美?，敻覃愄卦谏眢w上是whore，在精神上是貞女，她比其他人更高貴、更高尚、更純潔。正因?yàn)槿绱?，她才為愛情寧愿改變自己，也為他人寧愿犧牲自己的愛情?，敻覃愄卣嬲髁藧矍榈恼嬷B，那就是，犧牲、犧牲、再犧牲。
?茶花女》中最為悲慘的地方就是瑪格麗特的慘死。她在貧病交加中死去，沒有關(guān)懷，沒有安慰，也沒有金錢，只有一個孤單無力的女友，她孤零零的走了，心中雖然有阿爾芒，但阿爾芒不在眼前。
書中最讓人厭惡的是瑪格麗特的陪伴，那個靠瑪格麗特吃飯的女人，瑪格麗特輝煌時她如影隨形，瑪格麗特貧困潦倒時她無影無蹤，而且在瑪格麗特死后還編派謊言，坑阿爾芒的錢。這個人是資本主義社會naked裸金錢關(guān)系的表現(xiàn)，在當(dāng)今社會中，我們也會找到這樣的人，雖然不多，但絕不會絕跡。
另外，本書中對阿爾芒感情細(xì)節(jié)上的一些描寫也十分成功，一個陷入愛情中的男人的種種細(xì)膩感受使我們?nèi)缤硎?。阿爾芒是個純潔的人，感情上也圣潔，但他不成熟，不懂得保護(hù)自己所愛的女人。事情發(fā)生后一味嫉妒，不擇手段的報復(fù)，雖可理解，但過于偏狹。如果阿爾芒是另一種人，懂得成熟的處理問題，也許事情的結(jié)局不是這樣。
最后值得一提的是:這本書寫的非常高尚，雖然寫whore，但寫得非常干凈，也非常高尚，也許這就是世界名著區(qū)別于其他作品的原因吧!
《茶花女》的讀后感篇3
沒有華麗的文字，但那真摯的感情對白卻讓每一個人如身臨其境，漸漸地把主人公與自己融為一體，為他們的'歡樂而輕松，為他們的悲劇而沉重幾百年來，不知道這本書使多少人落下了同情和傷心的眼淚，它確實(shí)讓我長久不息地難過和同情。
《茶花女》的讀后感篇4
home work of reading course 1
number:1001021010
name:
major：
college: building construction
土木建筑學(xué)院
the name of english literature:
a.《robinson crouse》
b.《the book thief》
?robinson crouse》
daniel defoe，the writer of 《robinson course》was born in a merchant family in london in 1660. his novels were all finished at his senior age. the work《robinson crouse》
and《mole fronds》and so on significantly affected the development of fiction in britain and even in europe. he was also considered the “father of fiction in britain and europe”. he was just a merchant before he wanted to write frictions and he had never though about being a wrier. he had ever managed his own business such as underwear production materials industry, alcohol and tobacco industry and so on. he experienced bankrupt and lots of failures, but never gave up until he was at an old age. where he falls over himself, where he picks himself up. while managing corporation, he constantly participated in the politic activities at the same time. he was sent to prison several times by police because of his aggressive comments on the policy made by local government. the articles written by him were numerous as he joined in about five magazines, which showed his extreme energy. the success of this book is never a coincident that all his experiences provided the thoughts and skills that were needed. it was said that this book had been published many times less than 《bible》. now, it is praised as the first full-length novel in the literary history of britain, which is a valuable contribution to the world literature.
?robinson crouse》was created when defoe was inspired by a true story. in the 1800’s, there was an england sailor whose name was alison; he once had a conflict with the captain, which was left on a small island. he had noting but sea and sand. with an amazing determination, he lived nearly five years and a half and eventually found and brought home by the famous navigator named luis in 1771. this event was once a panic in society at that time. he did not do a few special things deserved great respect, instead, what the sailor just did was some things necessary for survival. in general, he performed negatively rather than positively. but what defoe described was the represent of new class of capitalism which was an ideal hero who announced the importance of work and development. he was against just enjoying life and content with that people should be full of curiosity，the desire of conquer and the sprit of risk to develop outward, which proved the convention of western ocean civilization. this book highly praised the work sprite and quality of persistence in human being, which had created the new way for western realism.
the main plots of《robinson crouse》are introduced as follows:
robinson crusoe was born in the year 1632, in the city of york, of a good family. as he always wanted to travel around the world by sea, he did not listen to his father’s sincere
advice and left his home, becoming a crew of a ship. they were attacked by pirates somewhere near the shore of africa. after that he became a slaver. the life of being a slaver was actually tough and upset that he could not bear. finally, he got a chance and he grasped it and successfully escaped from that place. fortunately, he was saved by a spanish vessel on the way to brazil. when he arrived at brazil, he started to manage plantation and he made a great fortune. he made up his mind again to make a voyage as some people suggested him sailing to africa for trading black slave. he was knocked down again by his inclination to go to the sea. this time was beginning of his unfortunate. the ship encountered a big storm that they had never seen before. with six days’ and nights’ blowing and trembling, the ship was finally all swallowed up. no one had a life exclude robinson who was rushed to the beach of an unknown island by waves. although he luckily survived but he at the same time faced the challenge he had never experienced. in order to make a living, he began to transmit things in the ship to the island including grain, cloth, tools and so on. with these materials, he started his life in the island alone. living such a lonely life that no one talked to him and sometimes he did not say any word at all for about one week, he had to read《bible》to fulfill his sprit every day. however, with the amazing determination and persistent labor, he built his own house, gained grain, tamed goats and made cloth with animals’ leather. later, he adopted a wild man as his servant and named him friday. at the period of time, he experienced plenty of disturbances until a british ship came here and robinson helped the captain to subdue the rebels. after that, he was picked up back to britain where he had been away for 28 years. when he went back home, his parents had already passed away. robinson resumed all the profits of his plantation in brazil and gave part of them to people who had ever helped him.
one of the critics in britain said: “if people want to grasp the sprit that is full of energy and confidence, nothing better than defoe and ，《robinson crouse》. that is, as the classic adventure, doer and colonist, robinson always has its valuable place in the history of didacticism.
?the book thief》
everyone has the same start that he or she comes to the world crying and the same ending that is death. in the western myth, death is cold and chill with a long sickle in his hand
to reap lives and take people away from the noisy world. the relater inwritten by markus zusak was the death who wondered around the streets taking away lives as god told him. however, the death was not indifferent. he used his dark eyes staring at some people’s sprits. when he reaped people’s lives, he could become tender as well. there was one germany girl called “the book thief” by him among all these sprits he focused on.
the girl’s name was liesel meminger. she had ever stolen six books totally and written a fiction < the="" book="" thief=""> according her own experience. that was the reason why the death called her “the book thief”. the death was pretty tender to the girl: she lived a long life and finally passed away peacefully in her sweet sleeping. however, the death nearly took everybody’s life one by one around her: first, her father as a member of german party was sent to the prison. later, she watched her brother being killed who was only six years old; several years later, her adoptive parents were murdered by germany soldiers. rudy, a boy who smiled a lot and ran like a bird was killed as well.
planes, tanks, bombs and so many other modern products were much more precise and efficient to take away lives, which made the death appear lots of times everyday. dead bodies, wandering sprits and the busy death were the pictures described by this book. it was something to tell people that no truth in people’s life and death was the final meaning. and because of that the fiction also hid a question that where was the meaning of living when we faced the final existence of death? we can see from the book that the meaning doesn’t lie in the lifestyle of hitler which is emphasizing struggling by oneself, standing on the top of the privilege and building his plan on dismissing others’ life. living like this is worse than dyeing directly. likewise, the meaning of life does not lie in giving up thinking about life, disposing of inner humanism and ignoring and insulting lives which are filled with weakness. these nazi people ignored jews who suffered a lot, which resulted in the final ending that their lives gradually became noting with development of the world war two.
the massage 《the book thief》tries to convey is quite simple: it is the very reason that we can not resist death why the real stuff is the most valuable treasure god gives us. every life, regardless of germen or jew and child or adult deserves to be respected equally. the girl’s name was liesel meminger who became an orphan after her father’s being caught, her brother’s death and his mother’s missing. what a great sorrow for such a little girl who was
only 9 years old. inferiority, stubbornness, flimsiness and loneliness fill up her heart and she always longed for love and safety. she just wanted to get relief and suck the sprit energy from the words in the book stolen by her to prevent herself from loneliness. the life of max vandenburg who was a jew deserved respect. in order to escape the ethnic cleaning, he had no way but lived a life in the basement of beumer’s house like a mouse that could not exposed to the sunlight. what he eager for was a life with freedom and dignity. when residents of hammill block hid in the bomb shelter for safety, max took a risk going out basement to see the moon though the window at which he hadn’t looked for nearly 22days without considering the threat from the air. he came back to the basement and wrote the beautiful but desperate sentence：“stars lighted up my eyes while looking though out the window of hammill block.” the rights of being loved, living and freedom combined together and that is the respect to lives. they always shouted to love and concern which has surpassed concept of racial, sexism, age, blood relationship and so on. in, the doer was liesel’s adoptive father-hans hubermann. he respected every life. he helped his adopted daughter to scatter the nightmare, strake her sorrow, teach her writing and reading and give her endless love. in spite of knowing about the dander of taking jews in, he decided to protect max vandenburg as much as he could. when he watched jews were captured by germen on the street, he couldn’t help approaching and giving the old jew a piece of loaf in his hand. he was beat heavily by the germany soldiers because of that. the same thing happened when the person was leisel’s adoptive mother, rose hubermann who had this kind of love as well. she yet couldn’t know a lot about her daughter’s inner world like his husband did, but she could hold her daughter’s hands firmly while the plane throwing bombs. the smart, strong and bold woman who brought the hot food to max at the first time accepted him with her real action. this kind of parents had this kind of kid who’s like liesel. she read books for people who hid in the shelter when bombs exploded outside in order to comfort them. she lived with max and bowman’s. they loved each other, cared each other and enjoyed mutual respect and emotion, finally becoming relatives who were bone of the bone and fresh as close as fresh and blood. she changed this kind of emotion as the deep sympathy to the whole jews.
in, it was the war brought by hitler that killed numerous people like the couple of bowman as one hand, on the other hand, it was the people who ought to have
been already forgotten that survived with the help of bowman. they were “the book thief” liesel, max and so on. on the one side, there was nonsense death and destruction going on, on the other side, love that resisted death and subdued death was being created. this was such a complex world that made death confused and moved deeply.
《茶花女》的讀后感篇5
她，瑪格麗特，就像她手中的那朵嬌羞的茶花一樣，那么純潔無暇。她是那么出眾，使每一個男人都對她神魂顛倒。在臨終的時候，她堅持著用那雙瘦弱而顫抖的手，記錄了她在世上最終一刻的所想。合上《茶花女》，我腦海不停地翻騰著：當(dāng)瑪格麗特為了不影響自我心愛的人的未來，即使心如刀絞，即使亞芒怎樣不舍，她最終還是毅然離開了愛人，做回那個上流社會的貴夫人。那是何等的艱難!
在金錢與感情的交叉路口，也許有許多人選擇了前者，但也許選擇感情的人會幸福無比。有人說：“僅有有了生活的基本條件，才可能擁有觸手可及的幸福。”但當(dāng)瑪格麗特拿出她那精致的首飾盒時，眼里沒有一絲留戀，更多的是對未來的憧憬和生活的追求。我認(rèn)為，愛是世間最偉大的情感。如果沒有父母的疼愛，我們哪能如愿以償?shù)卣钩岚肯?如果沒有朋友的關(guān)愛，我們哪能如此歡樂地攻克難題?感情亦是如此。不管世人用怎樣的眼光、用怎樣惡毒的言語來刺激瑪格麗特，她的心卻至死不渝地深深愛著亞芒。盡管亞芒誤解了她，揚(yáng)言要報復(fù)的那一刻杯具性的開始時，她是那么痛苦，被自我心愛的人誤解但又不能解釋，那是多么地苦不堪言!但瑪格麗特依然每一天到交際場所“裝”成一個拋棄愛人、愛慕虛榮的壞女人，為的只是亞芒。這不得不令我折服!多么偉大的感情!
金錢與感情中間，總得擁有一個放棄另一個。金錢能使人變得大方，能令許多人對自我唯唯諾諾;但感情卻能使人愉快、開心地過每一天!
你是像平凡的人一樣，選擇了金錢放棄了感情?還是像瑪格麗特一樣勇敢地追求自我夢寐以求的感情，把金錢放在了第二位呢?
選擇與否，其實(shí)你心里已有了答案……
《茶花女》的讀后感篇6
?茶花女》這一篇文章講述了青年亞芒和風(fēng)塵女子“茶花女”之間生死不渝的愛情故事。這“茶花女”從事著為人不齒的職業(yè)卻有善良、純潔的心靈。他并不是一位生性放蕩的女子只是她不幸生于貧苦的家庭為了生活不得不陷入那墮落的環(huán)境。當(dāng)她遇到一位真心愛她的亞芒后便立刻恢復(fù)了原來的純潔決心要好好做人。但是社會上的人卻不同情她她的過去是一個抹不掉的污點(diǎn)。最后她只有孤孤單單的病逝了。
作者小仲馬就是想借助這樣一位本質(zhì)純兩的弱女子對這個冷酷無情的社會來表達(dá)的不滿、憤怒。
讀了這篇文章讓我想起著一件事。有一個人她開了一間飯店她的這間飯店里的工人都是犯過罪的人。如過沒有這間飯店那么那些犯過罪的人就不會有人肯這樣的請他們工作了。這樣他們就沒有錢生活了他們就只能又去犯罪了。多一間這樣的店就會少幾個誤入歧途的人少一間這樣的店就會多幾個無法回頭的青少年。這一間小小的飯店就能挽救回將要送虎口的青少年使他們不會一錯再錯。
我覺得我們應(yīng)該給機(jī)會那些犯過錯的人給他們一個改過自新的機(jī)會。而不是犯了一次錯就被人否定了。我們應(yīng)該多了解一下這些人多和他們溝通使他們感受到這世上有人關(guān)心他們使他們感受到愛。這樣他們才不會去做犯罪的事。我們應(yīng)該用心去看而不是只看外表。
我希望大家能多開一些這樣的店使犯過罪的人能感受到家的溫馨。
《茶花女》的讀后感篇7
?茶花女》這部作品是19世紀(jì)著名小說家戲劇家小仲馬的一部小說，這部小說也是作者小仲馬的成名作及其最有影響力的一部小說。
人們?yōu)闀信魅斯敻覃愄氐谋瘧K遭遇而潸然淚下。茶花女是當(dāng)時巴黎的一位名妓，但其外表和內(nèi)心都像茶花那樣純潔，她總是隨身帶著一束茶花。每月頭二十五天是白色的，隨后五天是紅色的。除了茶花，從來沒有其他花與她相伴，故有了這個綽號——茶花女。
在愛情面前，茶花女表現(xiàn)出了自己的堅貞和執(zhí)著高尚的情操，但她這朵美麗的茶花卻因?yàn)榉尾『透鞣N社會的壓力在23歲凋零。她美麗、聰穎、善良，她滿懷熱情與希望的去追求，追求真正的、自己所期望的愛情，她與阿爾芒相愛，但是在阿爾芒父親出面阻止他們的愛時，她只能選擇退出。之后等到阿爾芒回來時，茶花已經(jīng)凋謝，再也找不回來了。
她就像茶花一樣帶著芬芳、馨香來到世界，無聲地綻放，默默在風(fēng)中綻放自己的純潔美麗。即使受到過風(fēng)雨、經(jīng)歷過打擊，即使委屈，她也默不作聲，只為了自己的愛，只將自己最美的瞬間綻放給愛看。直到生命到了盡頭，再悄聲凋謝，不發(fā)出聲音，仿佛不曾來過。
這一切都使這位為人們所不齒的煙花女子的形象閃爍著一種圣潔的光輝，以至于人們一提起“茶花女”這三個字的時候，首先想到的不是什么的妓女，而是一位美麗、可愛而又值得同情的高尚女性。
《茶花女》的讀后感篇8
讀過《茶花女》的人一定知道，它有凄美的愛情和感人的情節(jié)，好的作品總是給人以大團(tuán)圓結(jié)局，但人們總會厭倦；《茶花女》展現(xiàn)給讀者的則是相反，以傷感結(jié)尾，這是一種遺憾美、缺陷美，在文學(xué)藝術(shù)中是有一片廣泛天地的，它更能反映人們太多太多陰暗面，也向我們展示人與人之間純潔美好的感情，是一部發(fā)人深省的作品。
?茶花女》它講的是一位漂亮的茶花女的感情歷程。遺憾的是，在天使般美貌下是無奈的命運(yùn)——她是一位煙花女子，也有著不一般的美，引得多少滿身銅臭的人拜倒在其石榴裙下，也許你說她迫不得已，但我卻要說她從不知羞恥，這樣語氣也許太重了，可她終日享樂，靠出志肉體維持，滿足自己的私欲，她從沒想過“身體發(fā)膚，受之父母”嗎？她任意揮霍，無論金錢、青春，金錢麻目了她的大腦，我不禁要問：金錢真的這私重要嗎？男人們一面大張旗鼓也辱罵，用世上最不堪入耳的言語、辱罵她們，卻又一面用世上最“文雅、動聽”的詞語調(diào)侃她們，多么虛偽！當(dāng)然女主人公，瑪格麗特不可能這樣一輩子，因?yàn)槌霈F(xiàn)在作家筆下的人總有一段傳奇色彩或不平凡的經(jīng)歷——她與男主人公的凄美愛情。這是一個感人的故事，當(dāng)然，它由眼淚、憂愁和笑臉給成，和其他愛情故事一樣。她們曾一度拋開塵世中的一切煩惱，在清幽、說和的鄉(xiāng)下過著天倫般的生活，我敢說，這是瑪格麗特最開心的一段人生，但好景總是不長，被男主人公父親由于階級觀念而棒打鴛鴦，看到這里，我便開始抱不平：人的工作不分貴賤，又何必在乎以前的事呢？況且，這也是瑪不想的呀！為什么人性就不能再寬容一點(diǎn)，一點(diǎn)就好！最終瑪格麗特因遭受身心重大創(chuàng)傷，郁悶而死，更諷刺的是，在她死后，她的全部財產(chǎn)都拿去變賣，我?guī)缀跏且豢跉庾x這的，我感嘆，人性的美與在一之間?，敻覃愄匦〗?，徒有一副美的外表，卻只能成為人們手中的玩物，興奮時給你點(diǎn)錢，不興奮時給你兩蒼。此時金錢又充當(dāng)著什么角色呢？精神上的慰籍品還是一個沒有生命的伴侶？可內(nèi)心深處是否真的快樂過？
換個角度想想，這便是人性的軟弱，人總也抵不住金錢的誘惑，總了不敢沖破命運(yùn)枷鎖。假如我是她，我會不顧一切地沖破這個黑暗的牢籠，我回屬于自己的一片天，快樂地活著，何必在乎金錢！我要用自己的一雙手，換回內(nèi)心的平衡。不可否認(rèn)，當(dāng)時，說下去也不是易事，但死有輕于鴻毛，重于泰山，就算不能轟轟烈烈，但也要盡自己最大努力，讓自己看得起自己吧！我敢說，當(dāng)你老了，兒孫滿堂時，你會是一個驕傲的老人，你的子女以你為榮
人性總有美與丑，沒有丑哪有美？但是盡自己的所能，做好自己吧！
